In memory of Johnny Peret

In memory of Johnny Peret
In memory of my friend Johnny Peret, vibist, drummer, accordeonist extraordinaire
Showing posts with label private pressing. Show all posts
Showing posts with label private pressing. Show all posts

Wednesday, February 26, 2014

SHUFFLUPHAGASS

CSULA JAZZ ENSEMBLE
DIRECTED BY ROBERT CURNOW
"CRUSADE"
LP CSULA 579      USA 1980  (Private pressing)


Superb contemporary big band LP recorded by the California State University Jazz Ensemble in 1979 (LP released in 1980).  The first track – Crusade – is an absolute killer full of congas and solid drumming.  Other favorites are Les Hooper’s Shuffluphagass, Jeff Holmes’ Manstae II and Bob Curnow’s Tenth Planet.  The spirit of Stan Kenton is never far, no surprise considering Curnow's closeness to Kenton.



Side A
A1.      Crusade          composed and arranged by Bill Holman.
            Soloists:         drums: Gregg Hall
                                   trombone: Eric Jorgensen
                                   congas: Andy Webster
A2.      Of Another Time       composed and arranged by Bob Curnow
            Soloists:         vibes: Andy Webster
                                   flugelhorn: Bob Taylor
A3.      Manstae II      composed and arranged by Jeff Holmes
            Soloists:         soprano sax: Gary Bias
                                   trumpet: Bob Taylor


Side B
B1.      Shuffluphagass          composed and arranged by Les Hooper
            Soloists:         trumpet: Larry Gillespie
                                   trombone: Rocky Robles
                                   flute: Howard Cespedes
                                   tenor sax: Jim Pollock
                                   piano: Sam Garcia
B2.      A Time For Love       composed by Jonny Mandel / arranged by Hank Levy
            Soloists:         flugelhorn: Tony Mack
B3.      The Tenth Planet        composed and arranged by Bob Curnow
            Soloists:         soprano sax: Gary Bias
                                   trumpet: Bob Taylor
                                   bass: Larry Muradian
                                   the trumpet section
                                   piano: Sam Garcia




Personnel
Woodwinds
Gary Bias: alto (lead)
Kennan Miller: alto
Howard Cespedes: tenor
Jim Pollock: tenor
Robin Taniguchi: baritone
Trumpets
Tony Mack (lead) / Bob Taylor / Larry Gillespie /Jan Kendrick / Tony Martinez
Trombone
Eric Jorgensen (lead) / Rocky Robles / Neal Finn / Blaine Herbert
Tuba
Jim Paoletti
Rhythm
Sam Garcia: piano
Larry Muradian: bass
Gregg Hall: drums
Andy Webster: percussion



Recorded May 12, 1979 at the United/Western Recorders, Hollywood, CA






UPDATED LINK 18/07/17

Friday, January 4, 2013

WEIRD, HAUNTING AND BEAUTIFUL


STEVE BAUER ORCHESTRA – LIVING DREAMS
Hold Records (Private Label), Boston -1980.


Found this album –apparently a rather rare private pressing – while cratedigging in Brussels last week. And what a find it was: an obscure and strange modern big band by a group of mostly forgotten Berklee students / graduates.

No information whatsoever on the Net.  The only relevant info I managed to find was, sadly, an obituary for Steve Bauer.

It was Bauer’s sole album.  An Internet research confirmed that most of the participating musicians took teaching (at Berklee) or have faded into (semi)-obscurity.  How strange is destiny!

This record is weird, really: the 1’40” version of This Thing Called Love ranges among the most bizarre versions of this theme.
Spring is Here received a strange treatment also.

There is an haunting quality, difficult to define, in some tracks, e.g. the title track “Living Dreams” by guitar player Ken Taft (who’s now a very respected academic at Berklee).  
There is a sprinkling of electronic keyboards but don’t worry it ain’t no smooth jazz. 

The Last Straw starts as a fairly dissonant blues fanfare.  No wonder it had to be issued as a private pressing, it did not fit into any known mould.

On the whole it doesn’t sound like anything else.  One may hear some shades of Gil Evans, and some of the occasional pomposity of Kenton but it’s definitely Bauer, whatever that may mean.  I would label it Garage Big Band as it sounds as if it were recorded in someone’s garage.




With the benefit of hindsight, the sleeve notes appear completely off the mark.



All in all this is an auspicious recording debut for a musician whom I’m sure will be around the jazz scene for many years to come” 

How ironic as it was to be Bauer’s sole recording.




Steve Bauer (c. 1979)
First time in the blogworld I think?