In memory of Johnny Peret

In memory of Johnny Peret
In memory of my friend Johnny Peret, vibist, drummer, accordeonist extraordinaire
Showing posts with label funk. Show all posts
Showing posts with label funk. Show all posts

Tuesday, January 14, 2014

DIRTY ROOSTA BOOGA

JIMMY SMITH - I’m Gon Git Myself Together
Released on MGM  (1971, USA)

Liner notes:
This is the album that answers the question “can a down-home earthy, gutsy, swinging, blues-drenched jazz giant like Jimmy Smith find happiness in that spastic, hard beat, heavily amplified, eternally youthful world on the other side of the (generation) gap – Rock and Roll?” The album is successful for a number of reasons: basically, Jimmy Smith is the type of consummate artist who never gives less than his best in live or recorded situations; secondly, Jimmy has never isolated himself in any one bag because he is too aware of other idioms, other styles, other musicians, and much too hip to the reality of change; furthermore, Jimmy’s style is so close to the nitty gritty of communication that no gap is unbridgeable (…). No doubt about it, there’s a happy Jimmy Smith contained in this album – a later-day rocksmith who has his mojo working in any style he commands it to  (Harvey Siders - edited).

Review on Soul Strut blog
Released in 1973 (actually 1971), the liner notes to the record state that it was Smith’s attempt to mold Rock with Jazz, something that was a bit in vogue in the late 1960s/early 1970s. I Know What I Want was written, conducted, arranged and produced by Johnny Pate. His band also backed up Smith. The song starts off with a funky guitar line before Smith’s singing, organ and the horns join in to turn the song more towards a soulful big band sound, although a big guitar solo towards the end makes sure the Rock influences are still apparent. Next up, Smith takes on a cover of Otis Redding’s (Sittin On) The Dock Of The Bay. Despite some wah wah guitar in the background, Smith’s singing really fails him on this rendition of the Soul classic. To make up for things, Uh Ruh starts off with a jammin’ little open drum break before going into an upbeat Soul-Jazz number.  Dirty Roosta Booga is another fast-pace groover, and there’s another drum break intro to Need Mo, which is also good. A cover of Sugar, Sugar makes a nice end to the record as well.

I may add that I quite like the title track (I'm Gon' Git Myself Together), a solid blues and that Smith’s singing fails him again badly in Spill the Wine.  Overall an uneven album but still interesting if you want to understand where the process started that yielded the fabulous live album Root Down (listen to Need Mo’).



Jimmy Smith ‎– I'm Gon' Git Myself Together (1971)

Tracklist
A1       I Know What I Want    5:21
A2       (Sittin' On) The Dock Of The Bay        5:15
A3       Uh Ruh            2:45
A4       I'm Gon' Git Myself Together   5:30
B1        Dirty Roosta Booga      5:00
B2        Spill The Wine 5:50
B3        Need Mo'         6:16
B4        Sugar, Sugar    5:15


No detail on the personnel (Johnny Pate Orchestra).


Thursday, September 26, 2013

GLITZ, GLAM & FUNK

La Velle – Brand New Start

LP Blue Silver ‎– BS 3010 - France, 1981

A change from the old scratchy EP!   Time for glitz, glam and funk!  Fix yourself a Dry Martini or chose your favorite poison and get on the floor for some 80s disco funk boogie.

About La Velle

Lavelle McKinnie Duggan is an American Jazz, Soul and Gospel singer.
Born in Kankakee, near Chicago, in a musical family. Her father played the guitar in Nat King Cole's band, her mother was a dancer and singer in the Cotton Club. Lavelle already sung gospel in choirs at the tender age of 3. She started studying the piano at 5. She entered Chicago's national Conservatory at the age of 11, being the youngest student. She did brilliant musical studies, earning many awards. She sung Haendel's Messiah as she was only 14. She continued her studies at the prestigious Julliard School of Music de New York.
After a career as a lyric singer, she progressively went back to jazz and gospel.  She made an appearance in the Broadway musical “Hello Dolly”. She then toured across America, singing with the greatest names in soul music such as Ray Charles or Sammy Davis Jr. She also worked with the big bands of Lionel Hampton, Buddy Rich, Maynard Ferguson and Quincy Jones.

In 1977, she moved to France, releasing her first album Winter's Mind. She then released a disco single entitled Playgirl in 1979, followed by a second LP, the soul / funk oriented “Brand New Start.”.

In 1989, she did background vocals for Ray Charles & Dee Dee Bridgewater. The following year, she recorded and produced the album Straight Singin' - Tribute to Nat King Cole. Apart form her own concert and tours, she ran singing masterclasses, sharing her passion and contributing to the creation of many gospel choirs in France. In 1992, she was awarded the decoration of Chevalier des Arts et des Lettres

During the 90s, she was the female vocalist of the B-one project. She probably did all vocals for Miranda from 1999-2001. She also sung for some TV ads.

She then left France to settle in Saint-Cergue (Switzerland). She leads a gospel choir in Geneva, but also keeps on running masterclasses and touring in France.


About the band 


Top-notch French (and a few expats) studio musicians, all with extensive jazz pedigrees (several of them – Gimenez, Bonfils, Bessot … -were members of the jazz-fusion band Synthesis in the late 70s).  Jean Pierre Sabar was a long-time arranger for Serge Gainsbourg.  Interesting also to see the name of Noah Howard – another long time French resident – in the credits!  Que du beau monde!

Tracklist

A1       Brand New Start
A2       When You Find The Time
A3       Creole Girl (Lyrics: La Velle / Music : Nat Dove, Noah Howard)
B1       Rastafaris   (LaVelle, Joe Scott)
B2       It's Too Soon  (Lowell Folsom, B.B. King
B3       Take A Look In The Mirror And See
B4       Someday In The Dust / Just Like My Friends Used Too

Credits

Arranged By – Raymong Gimenez* (tracks: A1, A2, A3, B1, B3)
Trumpet – Kako Bessot (tracks: A1, B1, B2, B3)
Trombone – Alex Perdignan* (tracks: A1, B1, B2, B3)
Saxophone – Alain Hatot (tracks: A1, B1, B2, B3)
Guitar – Jean-Claude Chavanat (tracks: A1, B1, B3), Laurent Roubach (tracks: A2, A3, B2)
Piano – Jean-Pierre Sabar (tracks: A1, B1, B3), La Velle (tracks: A2, A3, B2, B4)
Bass – Louis Martial Kool* (tracks: A2, A3, B2), Tony Bonfils (tracks: A1, B1, B3)
Drums – Pierre Alain Dahan* (tracks: A1,B1, B3), Sangoma Grover Everett (tracks: A2, A3, B2)
Percussion – Negrito Trasante (tracks: A1, A2, A3, B1)

So, if you feel adventurous and your tastes are catholic enough to embrace 80s soul funk, give this album a try.  The lady has an amazing vocal range; the arrangements and playing are excellent, with that typical “european” touch.